Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.
The Bulgarian maestro demonstrates on his ‘Cloud Generator’ EP he’s more than happy to defy expectations, a respite from the darker techno he’s so proficient at producing, though the closing breakbeat mix of ‘Pocket Piano’ is the most unexpected and memorable, a glorious rave throwback with enough sonic surprises to leave dancefloors breathless.
A sleeper of a record from Colorize that warrants attention as a proper gem, ‘Back In My Life’ is a seductive slice of melodic progressive that’s brimming with ambient shimmers, dramatic drumrolls and huge basslines, packing a dancefloor punch without letting things spill gratuitously over into trance. Keep it in your box if you really want to take a house set up a notch.
Whilst many producers have tried (and failed) to really provide a suitable platform for the Ragga Twins over the years, Double Helix has finally come along and produced something so cracked out, mutant and leftfield yardstyle as to fit their unique flow. It’s Alice tumbling down the rabbit hole of the darkest UK soundsystem music — jungle, grime, dub, two-step, hip-hop, ragga — only to be driven through a particle collider to create absolute chaos. Brilliant.