Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.
Whilst many producers have tried (and failed) to really provide a suitable platform for the Ragga Twins over the years, Double Helix has finally come along and produced something so cracked out, mutant and leftfield yardstyle as to fit their unique flow. It’s Alice tumbling down the rabbit hole of the darkest UK sound system music – jungle, grime, dub, 2 step, hip hop, ragga – only to be driven through a particle collider to create absolute chaos. Brilliant.
If ever there was a track which sounded like how I felt jacked on four double espressos then ‘Wigu Hill’ is it — jittery as fuck and loaded with a woodpecker-like purpose. It has an intense, weird and hypnotic quality. As does the rest of the EP from Glasgow’s Mr Ludd; track names like ‘Molcorp Mountain Pass’, ‘Garimpos’ and ‘Prisoner’s Dilema’ only hint at the madness contained within. I urge you to explore.
After first appearing on Blackdown’s Keysound imprint back in 2013, Brighton’s Etch has been pushing his dark, skeletal identity via the Soundman Chronicles and Space + Time labels. On new label Wisdom Teeth, he offers up a typical anachronistic piece, an esoteric skin stretched across the faded bones of jungle’s past for a slow-mo bump. In contrast, label honcho K-Lone drops a chirpy little number full of jiggly rhythmic elements and slinky sub bass.